Picture this: during one particular gig, you need a phaser for covering Pink Floyd’s Breathe; then a chorus for playing the riff of The Police’s Message In A Bottle; finally a flanger for rocking out the opening intro of RATM’s Killing In The Name. Normally you would need 3 separate modulation pedals for all those 3 songs. But what if I let you know that there is an easier way to get the job done, with only 1 pedal, would you be interested? It is our latest efforts towards the digital modulation world–5th Dimension.

SONICAKE 5th Dimension is an assembly of 11 most commonly requested digital modulation effects, adding multiple sonic dimensions to your tone, providing more possibilities for your tonal palate. It is more than straightforward to use, with a MIX knob controlling effects level; a DEPTH knob adjusting the effects depth; a RATE knob tweaking effects speed; a MODE selector choosing from those 11 effects. Those 11 effects all sound like serious deals to my ears. The tones will speak for themselves.

The 11 effects are:

1) Phase 101, a crystal clear and bright phasing tone;
2) Jet Fln Br., a massive, jet-like flanger tone with plenty of feedback;
3) Jet Flane, a classic-sounding flanger effect;
4) Big Sky, vintage chorus sound inspired by the legendary solid state Jazz amplifier;
5) Stereo Chorus, a classic and lush chorus sound modulated by a triangle wave;
6) Liquid Trem, a bias tremolo sound inspired by the circuitry from a vintage tube amp;
7) Opto Trem, classic optical tremolo tone;
8) Roto 60, a vintage 4-stage phasing/rotary vibe effect;
9) Blue Vib, a natural and warm vibrato sound;
10) Cryin’ Bot, a dynamic auto-wah envelope filter (DEPTH knob controlling filter frequency range);
11) Lofi, sample reducing effect (DEPTH knob controlling the downsampling rate, RATE knobs controlling the overall brightness).

Product Features

• SONICAKE 5th Dimension is an assembly of 11 most commonly requested digital modulation effects, adding multiple sonic dimensions to your tone, providing more possibilities for your tonal palate. It is more than straightforward to use, with a MIX knob controlling effects level; a DEPTH knob adjusting the effects depth; a RATE knob tweaking effects speed; a MODE selector choosing from those 11 effects. Those 11 effects all sound like serious deals to my ears. The tones will speak for themselves.
• The 11 effects are: 1) Phase 101, a crystal clear and bright phasing tone; 2) Jet Fln Br., a massive, jet-like flanger tone with plenty of feedback; 3) Jet Flane, a classic-sounding flanger effect; 4) Big Sky, vintage chorus sound inspired by the legendary solid state Jazz amplifier; 5) Stereo Chorus, a classic and lush chorus sound modulated by a triangle wave.
• The 11 effects are: 6) Liquid Trem, a bias tremolo sound inspired by the circuitry from a vintage tube amp; 7) Opto Trem, classic optical tremolo tone; 8) Roto 60, a vintage 4-stage phasing/rotary vibe effect; 9) Blue Vib, a natural and warm vibrato sound; 10) Cryin’ Bot, a dynamic auto-wah envelope filter (DEPTH knob controlling filter frequency range); 11) Lofi, sample reducing effect (DEPTH knob controlling the downsampling rate, RATE knobs controlling the overall brightness).
• Power(power adapter not included): DC 9v center negative; Current consumption: 110mA; Dimensions: 93.5mm(D) x 42mm(W) x 52mm(H); Weight: 235g
• Picture this: during one particular gig, you need a phaser for covering Pink Floyd’s Breathe; then a chorus for playing the riff of The Police’s Message In A Bottle; finally a flanger for rocking out the opening intro of RATM’s Killing In The Name. Normally you would need 3 separate modulation pedals for all those 3 songs. But what if I let you know that there is an easier way to get the job done, with only 1 pedal, would you be interested? It is our latest efforts towards the digital modulation