JHS AT+ Andy Timmons Signature Overdrive Guitar Effects Pedal
In 2016 we brought you the AT, Andy Timmons artist signature pedal and we’re really proud to bring you the next iteration of this phenomenal stomp box, The AT+. The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. So pay Attention and we’ll see what makes the AT rock.
Product Features
- This pedal offers soaring overdrive and distortion with plenty of options to craft your tone
- The Volume control gives you plenty of headroom to play with
- The Drive control has a wide range from high gain blues to thunderous distortion
- The EQ works as a standard bright/dark tone control
- The Air control rolls in top end like a presence control for just the right amount of brightness for articulation and clarity
- The three-way toggle gives you the feel of different wattage amplifiers
- The AT+ has an independent foot-switchable Boost, essentially creating a second channel and gain stage for the pedal
Loading...
So Beyond the hype. It’s outstanding I own so many cool things for guitar players. All the major manufacturers of amps and guitars. I’m not a big shot so I save $$$ and choose very carefully. I average a 50/50 when it comes to reviews = reality as it pertains to pedals.This is a slam dunk. You can’t make it sound bad.I feel sad when I look around at all the boutique pedals I have and wish I had my money back.I plugged up to a brutally clean fender twin w a American Strat and played for hours w this pedal…
Great Pedal
Use it for what it was designed for! If you use this pedal for what it was designed for (low-gain, “don’t-mess-up-my-tone” drive), it’s outstanding. In my experience it has to go early in your pedal chain, such as right after a compressor, and put a second drive after it for actual distortion/overdrive sounds. If you’re looking for a high-gain in-your-face drive this isn’t it. I stack mine with the Prism (as an EQ) and a compressor and leave them all on low as my base tone, and it sounds great. I recently added a…