Electro-Harmonix C9 Organ Machine
The new C9 Organ Machine springboards off the revolutionary B9 to mine another rich vein of classic gold and provide players with nine more definitive organ and keyboard sounds. The C9 will transform your instrument into a convincing full body, electric organ or vintage electronic keyboard. For each preset chosen, it also provides precise control over important elements of that sound’s sonic fingerprint like percussive click, modulation, attack/sustain, drawbar setting or high frequency content. Blend your dry signal to create beautiful layers. Lovers of classic organ and keyboard rejoice!
Product Features
- Transform the tone of a guitar or keyboard
- 9 presets that were finely tuned to emulate some of the most popular and classic organ and keyboard tones ever recorded
- Provides control over percussive attack level, modulation speed, organ and dry volume
- Rugged and easy to use
- EHX 9.6DC-200 PSU power supply included
Excellent purchase; works better than you’d have thought possible a few years ago. There are reviews all over the internet and by now I’m sure you’ve seen them. I’ve been very happy with this pedal and what it adds to my rig. I play in a worship band almost every Sunday. We often find a a need for extras sounds and musicians. This pedal allows me to create some new sounds and emulate some traditional Mellotron sounds. The tracking is perfect and the a few of the tones are excellent. The cello, string, flute, and choir sounds are very usable. The various horns and woodwinds…
Great technology EHX – but I went with the Micro POG instead I returned this pedal and got an EHX Micro POG –which I am very happy with. Am running the micro POG in front of a holy grail max when I need more sustain. You can still get very close to some organ and Mellotron tones with the POG, with different knob settings. My problem with this C9 pedal is it just doesn’t reflect the way I play. I expect when I pluck a string or chord I will hear it within that second. Overtones, harmonies and sustain are all great, but I want to hear THAT note that…
In the Court of the Crimson Electro-Harmonix I have to admit that I only played a Mellotron once years ago, fell in love with its sounds and primitive attempt to reproduce strings and reeds in the pre-digital age. I ended up plugging a mic into this and using it to amplify the home studio’s baby grand. It tracks very well, and I’ve spent way too much time playing “In the Court of the Crimson King” for my own entertainment, but have enjoyed it every time. I’m not as sold on it for the guitar: I’m sure if I spent lots of time…